Over
the past 3 days I have been choosing what pictures I want to use in my title
sequence from the two scenes I have shot. These scenes are when Jimmy visits
his biological father’s grave and when Jimmy moves to Manchester. When I was looking
over the pictures I took on Friday 7th November and Sunday 9th
November I was really pleased with them. However, I have decided to change the
order of my title sequence. My initial idea of lighting was to use the lighting
to reflect Jimmy’s life events. Basically, natural/ bright lighting when Jimmy
finally feels contempt with his life and to have natural/ dark lighting when
Jimmy is dissatisfied with his life. The images I collected from Manchester
City Centre were very bright and pleasant images therefore I believe these
images should be used when Jimmy leaves his mother and the abuse from Blake
behind him and lives life on his own. Below is a video showing the new
chronological order of my opening title sequence:
This
is a table showing which scenes will be in natural/ bright lighting and which
will be in natural/ dark lighting:
Natural/ dark
|
Natural/ bright
|
The
first 4 scenes:
Jimmy
visits his biological father’s grave – he feels empty and heartbroken
Jimmy
and his mother (Maggie) cry together – devastation over the loss of their
beloved family member
Maggie
meets Blake (arguing) – clear that it is an abusive relationship and Jimmy is
devastated over this
Blake
is introduced to Jimmy – Jimmy isn’t happy about Blake trying to act like his
new father, Jimmy feels worthless from the way Blake treats him
The
final meeting:
Jimmy
meets Jerome and Burdine – he doesn’t understand why they are bullying him
when he has done nothing wrong, that feeling of worthlessness is still there
|
The
last scenes:
Jimmy
leaves Maggie and Blake – Jimmy is excited and curious about starting fresh
(walking across field)
Scenes
of Manchester (Jimmy’s new home) – Jimmy is happy to start his adventure
Starts
at Wellington School – excited about finally starting education (his dream)
Jimmy
meets Arthur – he has a trusting and caring best friend, he has never had
this connection with someone before
Jimmy
meets Sadie – they have both had a troubling start to life so they can talk
to each other about everything
|
In
lesson time I have now begun editing the images I have taken and considering
which transitions to use. Again, I want the transitions to reflect that mood of
Jimmy/ the scene. My first decision was whether use a transition called ‘lens
flare’ or ‘bloom’ between the scene where Jimmy leaves him mother and Blake to
introducing the images of Manchester. I wanted this transition to reflect a new
beginning for Jimmy and both of these seem suitable for representing that.
After much debate with myself I have decided to use ‘lens flare’ as ‘bloom’
showed orange coloured markings and therefore did not look good between the two
images. Another transition I have decided to use is ‘cross dissolve’ throughout
the scene where Jimmy is visiting his father’s grave. I have used a total of 7
images from this scene which are:
- Long shot (showing the sunset and a shadow of a tree)
- Long shot (Oliver walking down the path) x2
- Mid shot (Oliver knelt beside grave) x3
This
transition is very slow moving making it easy on the eye and symbolising Jimmy
is feeling empty and dissatisfied. Furthermore, it gives a real sense of
continuity between the shots which is beneficial for making my title sequence
look exceptional.
My
next step is to decide what length of time each image should be shown for. I
originally though 5 seconds but this may change depending on the music time and
the tone of the music as each image is shown. I am still yet to decide on a
piece of music. When considering music I want the tone to reflect the mood of
each scene, for example Jimmy visiting his biological father’s grave will have
slow and opera like music whereas when the images of Manchester are shown I
want the music to be upbeat and sound adventurous.
Finally,
when looking at the picture I took on Friday 7th November I was
pleased with the majority of them. However, when editing the long shot of the
graveyard followed by Jimmy (Oliver) walking down the path there was no sense
of continuity therefore I added in an image of the surrounding headstones. This
made it a lot better but the lighting of the headstones of the right of me was
brighter than those I took on the left of me. This means I will have to go back
to Hale Crematorium and retake those images at approximately 4:30 so the
lighting will be similar to those already taken. I plan to do this on Thursday
13th November.
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